| Making It Heard: A History of Brazilian Sound Art |
- isbn : 9781501344466
- pisbn : 9781501344435
- doi : 10.5040/9781501344466
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| Manic Street Preachers’ The Holy Bible |
- isbn : 9781501331732
- pisbn : 9781501331701
- doi : 10.5040/9781501331732
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| Massive Attack’s Blue Lines |
- isbn : 9781501339721
- pisbn : 9781501339691
- doi : 10.5040/9781501339721
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| Music, Memory and Memoir |
- isbn : 9781501340673
- pisbn : 9781501340642
- doi : 10.5040/9781501340673
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| Odetta’s One Grain of Sand |
- isbn : 9781501333354
- pisbn : 9781501333323
- doi : 10.5040/9781501333354
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| Pop Music and Hip Ennui: A Sonic Fiction of Capitalist Realism |
- isbn : 9781501346699
- pisbn : 9781501346668
- doi : 10.5040/9781501346699
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| Scott Walker and the Song of the One-all-alone |
- isbn : 9781501332562
- pisbn : 9781501332593
- doi : 10.5040/9781501332562
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| Sonic Writing: Technologies of Material, Symbolic, and Signal Inscriptions |
- isbn : 9781501313899
- pisbn : 9781501313851
- doi : 10.5040/9781501313899
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| Sound Art Revisited |
- isbn : 9781501333163
- pisbn : 9781501333132
- doi : 10.5040/9781501333163
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| Sound Works: A Cultural Theory of Sound Design |
- isbn : 9781501330254
- pisbn : 9781501330223
- doi : 10.5040/9781501330254
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